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Labadi by Beeztrap KOTM featuring Reggie and O Kenneth

Labadi by Beeztrap KOTM featuring Reggie and O Kenneth

Asakaa

Labadi by Beeztrap KOTM featuring Reggie and O Kenneth is a hard hitting Ghana drill anthem that captures the raw energy and street spirit of the Asakaa movement. Named after the popular coastal area in Accra, the song blends lifestyle references, street confidence, and bold lyricism into a powerful modern drill sound. From the very first seconds, the track sets a gritty and commanding tone that reflects the hustle and mindset of the new Ghanaian rap wave.

The production is dark, bass heavy, and atmospheric, built around sharp drill drum patterns, sliding 808s, and haunting melodic elements. The beat creates a cinematic feel while maintaining the bounce and aggression that defines Ghana drill. The instrumental gives each artist enough space to deliver their verses with clarity and impact while keeping the momentum intense throughout the track.

Beeztrap KOTM leads with a confident and energetic delivery, showcasing his signature flow and street driven lyricism. Reggie adds his distinct cadence and punchy bars, while O Kenneth brings a sharp and fearless presence that strengthens the overall chemistry of the collaboration. Each verse complements the other, creating a seamless back to back performance that keeps listeners engaged from start to finish.

Lyrically, Labadi touches on street survival, ambition, success, and reputation. The artists reflect on their journey, challenges, and rise within the music scene, maintaining authenticity and grit in their storytelling. The hooks are catchy yet aggressive, reinforcing the drill aesthetic while remaining memorable for fans of the genre.

The official video enhances the energy of the song with bold visuals, street themed scenes, and performance shots that match the intensity of the track. Overall, Labadi stands as a strong Ghana drill release, highlighting the dominance of Beeztrap KOTM, Reggie, and O Kenneth in shaping the evolving Asakaa sound both locally and internationally.

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